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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">finance</journal-id><journal-title-group><journal-title xml:lang="ru">Финансы: теория и практика/Finance: Theory and Practice</journal-title><trans-title-group xml:lang="en"><trans-title>Finance: Theory and Practice</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2587-5671</issn><issn pub-type="epub">2587-7089</issn><publisher><publisher-name>Financial University under The Government of Russian Federation</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.26794/2587-5671-2018-22-6-25-38</article-id><article-id custom-type="elpub" pub-id-type="custom">finance-775</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>БЮДЖЕТНАЯ СТРАТЕГИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>BUDGET STRATEGY</subject></subj-group></article-categories><title-group><article-title>Теоретические закономерности и институциональные особенности финансирования искусства</article-title><trans-title-group xml:lang="en"><trans-title>Theoretical Regulations and Institutional Features of Financing Arts</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0001-8902-193X</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Бураков</surname><given-names>Н. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Burakov</surname><given-names>N. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p> аспирант.</p><p>Москва. </p></bio><bio xml:lang="en"><p>  post-graduate student.</p><p>Moscow.</p></bio><email xlink:type="simple">burakovn@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib><contrib contrib-type="author" corresp="yes"><contrib-id contrib-id-type="orcid">https://orcid.org/0000-0002-6683-4812</contrib-id><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Славинская</surname><given-names>О. А.</given-names></name><name name-style="western" xml:lang="en"><surname>Slavinskaya</surname><given-names>O. A.</given-names></name></name-alternatives><bio xml:lang="ru"><p> аспирант.</p><p>Москва. </p></bio><bio xml:lang="en"><p>  post-graduate student.</p><p>Moscow.</p></bio><email xlink:type="simple">o.a.slavinskaya@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Институт экономики РАН.</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Institute of Economics of the RAS.</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>25</day><month>12</month><year>2018</year></pub-date><volume>22</volume><issue>6</issue><fpage>25</fpage><lpage>38</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Бураков Н.А., Славинская О.А., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Бураков Н.А., Славинская О.А.</copyright-holder><copyright-holder xml:lang="en">Burakov N.A., Slavinskaya O.A.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://financetp.fa.ru/jour/article/view/775">https://financetp.fa.ru/jour/article/view/775</self-uri><abstract><p>Авторы анализируют функционирование учреждений сферы культуры и искусства, которая является одним из классических примеров опекаемых благ в экономике. Эмпирическое исследование опирается на экономическую закономерность «болезнь цен». Составлена уникальная статистическая база данных на основе информации Росстата и информационной базы данных Министерства культуры РФ. В исследовании обновлены расчеты индексов Баумоля за период 2001–2015 гг. Получено подтверждение наличия таких симптомов «болезни Баумоля», как: отстающая от среднерегионального темпа производительность труда в учреждениях культуры, сверхинфляционный рост цен на билеты в театрах, догоняющий рост заработных плат в театре по отношению к среднему уровню заработных плат в регионе. Авторским подходом к анализу «болезни цен» Баумоля можно считать модификацию общего индекса Баумоля в виде замены показателя дефицита дохода на долю расходов, покрываемых за счет бюджетных средств. Получены новые результаты оценки дефицита дохода и доли расходов, покрываемых за счет государственного финансирования, с использованием модели панельных данных и квантильной регрессии. Практическая ценность данного исследования состоит в систематизации механизмов бюджетной и внебюджетной поддержки учреждений искусств. В качестве основы для создания благоприятной среды развития организаций культуры предложены такие новые институты финансовой поддержки, как институт партисипативного бюджетирования и институт индивидуальных бюджетных назначений.</p></abstract><trans-abstract xml:lang="en"><p>The authors have analyzed organizations of the performing arts sector, one of the classic key benefits in the economy. The empirical research has been based on the economic pattern of “cost disease”. A unique statistical database has been compiled on the basis of the information database of the Federal State Statistics Service and the Ministry of culture of the Russian Federation. The research presents the Baumol’s indices calculations updated in 2001–2015. There have been confirmed such symptoms of Baumol’s cost disease as: labor productivity in cultural organizations lagging behind the average regional rate, super-inflationary growth for ticket prices in theaters, and catch-up wage growth in the theater in relation to the average wage level in the region. The author’s approach to the analysis of the Baumol’s cost disease is a modification of the overall Baumol index as a replacement for the income deficit indicator for the share of expenses covered by budget funds. New results have been obtained for estimating the income deficit and the share of expenditures covered by public funding by using the panel data model and quantile regression. The practical value of this research is the systematization of budgetary and extra-budgetary support for cultural organizations. New institutions of financial support such as the institute of participatory budgeting and the institution of individual budget allocations have been suggested to create favorable environment for the development of cultural organizations</p></trans-abstract><kwd-group xml:lang="ru"><kwd>учреждения культуры</kwd><kwd>отстающая производительность труда</kwd><kwd>дефицит доходов</kwd><kwd>модель «болезни цен»</kwd><kwd>заработная плата</kwd><kwd>финансовые институты</kwd><kwd>бюджетная субсидия</kwd></kwd-group><kwd-group xml:lang="en"><kwd>cultural organizations</kwd><kwd>lagging labor productivity</kwd><kwd>income deficit</kwd><kwd>cost disease model</kwd><kwd>wages</kwd><kwd>financial institutions</kwd><kwd>budgetary subsidy</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Rubinstein A., Muzychuk V. Optimization or degradation? 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